In the world of photo studio and photography in general, subject and style may vary. However, one thing that will remain constant is the need for quality and consistency. Photographers will depend on the lighting in the delivery of top-of-the-line photos that are the highest of the quality imaginable. When working indoors or outdoors, lighting is the biggest determinant of this quality standard.
Usually, if not all the time, natural light can be unpredictable in this activity. Not only is that, but the on-camera flashes at some point are not suitable for studio use and a host of other complications. That is why, in the recent past, there is a need for alternative means of correcting all these. And that is where strobe light source has become the bread butter of modern-day photography.
These light sources can withstand the rigors of the studio environment while offering a robust and flexible light. However, with so many of the market devices today, how can someone get the best? Notably, for a first-timer who is getting into this hassle for the very first time? Well, as in any other device or service, the need for due diligence has always come to be very useful in making such decisions. Meaning, if anyone is looking to get a powerful, functional, and high-quality strobe light source, it will call for the most care.
Crucial to note is many people choose to prioritize quantity over quality. But one word of advice to walk with is to never fall into this trap because the deal may be raw and cost you dollars at the end of it all. At best, a buyer should get a light that is aligned to the budget. In fact, a one-ride-or-die strobe light source can be worth the hassles than two or more that are not reliable. Another crucial step a buyer will want to check on is reading reviews about the light in question from various sources on the internet.
If not, asking people who are already using them will come a long way to influence a client’s choice of the best. Nevertheless, some of the common considerations that everyone should check on when buying a light source for a studio include the following.
The first thing anyone will want to consider is the amount of power they will need from the light source. Options to go with include modest 100Ws and monstrous 6000Ws, all of which require different power packs. Regardless of the size and demand, a unit power range between 500-1000Ws will serve as a perfect starting point for any purpose. A buyer doesn’t want to make an error on the less side of power demand. If one is to make a mistake, then getting a light source with a higher power requirement will not hurt the whole process and physics. There are ways to diffuse the light source in case someone gets a high power light, but generating additional power, on the contrary, can require more than physics can deliver.
The next big thing to check on is speed. This is especially essential whenever a user is planning to capture an action. In such a case, going for a strobe light source with a fast recycle will come a long way to improve quality and performance. Various manufacturers have various means of delivering this, for example, others; include a mode to reduce duration and outputs to minimize recycling time. That is to say, when looking to buy a strobe light source for the very first time; the user must ensure he or she gets a device with this feature. Furthermore, most devices feature the High-Speed Sync, which has been an addition to the demand today. This is also something that one must check on, especially while planning to work with fast-moving objects outside and inside the studio.
Another crucial question to ask that will guide a buyer is if they want the light source to move with them anywhere. But to be honest, the world is changing, and it is only right to say this may be a must-feature that everyone must not waggle on. Today is when many people love to be served at their comfort, so it makes sense to get a portable light anywhere whenever called upon. That is not the only issue to address here. The life source’s battery life will also determine how long one will accomplish a task while on-the-move. That is why choosing a light with long battery life or carrying additional batteries for the distant assignment will be very helpful. Never forget the camera should also have the power to sustain the whole day.
Regardless of the light source one settles on, the need for it to communicate with the camera will be a necessity. Whether through radio, cable, or optical, choose a source that can easily trigger the camera when making an exposure. Radio transmitters are the most popular transmission method because they remove the hassles people have to go through using cables. Moreover, the radio transmitters offer a more reliable and robust connection than the other alternatives like optical triggering. Even better, some lights allow users to control them via mobile apps on their devices. Other manufacturers today offer proprietary remotes that can work with different camera brands to improve TTL functionality and other choices.
Some people may underrate the need for a modeling light feature. But it is useful when it comes to previewing how the light will influence the photoshoot. Alongside their strength and functionality, they can also offer unmatched continuous light sources. The options and minor issues to check here are endless, but one must ensure they get what will work perfectly for them.
A light source, regardless of its power and quality, will not be functional without additional accessories. For instance, umbrellas and softboxes are some of the common means of providing diffusion. The choices on what to go for here are also vast, and like one will want, the whole decision will depend on the ideal need, preference, and situation at hand.